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Sometimes as comedians, we walk away from a show where everyone bombed — the comics, the crowd work, the energy in the room — and we console ourselves by blaming the audience. “Tough crowd tonight,” we say, nodding in solidarity, as if we were all helpless passengers on a sinking ship.
But here’s the uncomfortable truth: sometimes, it’s not the crowd. Sometimes, the root of that flat, uncomfortable, or low-energy night comes down to how the show was hosted.
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One of the best things about stand-up is that there’s no one way to be funny — and thank God, because if I had to write like Seinfeld or shout like Sam Kinison, I’d have quit ages ago.
Still, I meet so many new comics who ask, “What’s my voice?” like it’s something you pick off a shelf. The truth is: voice comes from trying, failing, and figuring out which style of funny feels like home. So let’s talk about the different kinds of comedy styles out there — and what it actually means to “have a voice” in stand-up. There’s a unique kind of anxiety that creeps in five minutes before showtime when half the chairs are still empty. For comics, that silence hits differently. We start doing mental math: Did I post enough? Should I have made a reel? Did my followers ignore this one? Is this my fault?
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AuthorTina Cruz (@tinatellsjokes) is a comedian, musician, writer, and producer whose sharp, introspective humour explores cultural identity, family dysfunction, dating, and personal chaos. She performs in English, French, and Spanish, and is the founder and co-producer of Comedy on Mackay, voted #1 Best Comedy Night by CultMTL readers. Tina has performed across Canada and the U.S., produced a successful run at FringeMTL 2025, performed at LadyFestMTL 2025, and trained at The Second City and Montreal Improv. She is also the author of How to Host a Comedy Show: A Practical Guide to Running the Room. Archives
June 2026
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