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Doing stand-up comedy is one of the most vulnerable things you can do on stage. Now, imagine doing it in a second language — where the rhythm, timing, and slang don’t always land how you practiced them in your head. That’s not just vulnerability — it’s linguistic bungee jumping.
Not many people know this about me, but I speak eight languages: Tagalog, English, Portuguese, Spanish, French, German, Chinese, and Italian. That’s what happens when you live in Europe for eight years and collect languages like Pokémon. But fluency isn’t permanent — it fades if you don’t use it. And when I decided to write and perform my first comedy set in Spanish, one of my favourite languages, I felt all that rust loud and clear.
Still, I wanted the challenge. I have a lot of Latin friends, and I thought, Why not push myself? But right before I went on stage, the questions started spinning:
Imposter syndrome hits harder when you’re trying to be funny in a language where even your own jokes feel like strangers. And weirdly? I did. I didn’t bomb. I had my notes, I stammered through some of the lines, but I held the mic and delivered. I even realised midway through that my Spanish persona is way more political than my English one. Comedy isn’t just about the jokes—it’s about who you are when you’re up there, and who you become in each language. The Real Obstacles of Multilingual Comedy 1. Timing, Tone, and Cultural References In English, I know exactly when to pause, when to push, when to punch. In another language, you’re guessing. You might pause too long. Or not long enough. You might drop a reference that kills in Manila but dies in Montreal. Tip: Watch local comics in the language you're performing in. Study how they move through their sets, not just the words. Listen for rhythm. Mimic until it becomes your own. 2. Translation Fatigue If you think Google Translate can save your set, I have a dictionary to throw at you. Jokes don’t just travel across languages—they have to transform. Wordplay? Gone. Emotional tone? Lost in customs. Tip: Write your jokes directly in the language you’re performing in, even if it’s a mess. You can always clean it up. But trying to retrofit an English joke into Spanish is like forcing a mango into a wine glass. It’s gonna get sticky. 3. Accent Bias Let’s be real. Some audiences will hear your accent and assume you’re the punchline. It’s frustrating — and it’s real. I’ve had people come up to me after shows saying things like, “Wow, I didn’t expect you to be so articulate.” (Gee, thanks.) Tip: Take control of the narrative. If you have an accent, name it. Own it. Joke about it before they can weaponise it. It disarms the room and sets the tone: I know who I am—and I’m driving. 4. Double Vulnerability Comedy is already intimate. Doing it in a second language? That’s taking your emotional underwear off in front of strangers and doing it with subtitles. Tip: Don’t hide from it. Your in-betweenness is your superpower. You notice things others miss. That friction—that stretch—is funny. Mine it. The Secret Perk? You’re Instantly More Interesting Let’s face it. If you're doing comedy in a second (or third) language, you’ve already done something most people wouldn’t even attempt. You’re not just telling jokes—you’re performing cultural translation in real-time. That’s wild. That’s brave. And when it lands? That’s magic. So if you’re out here grinding mics in your second language, keep going. Whether your jokes are spicy, awkward, or just bilingual — you’re building something special. You’re not just making people laugh. You’re making them listen. And honestly? That’s worth every “¿cómo se dice punchline?” moment. As comics, we spend so much time perfecting the rhythm and delivery of our words. But when you're navigating a second language, “perfection” gets replaced by improvisation, charm, and the occasional beautiful mess. And sometimes, that’s where the real laughs live. To celebrate this linguistic chaos, Comedy on Mackay is launching a new themed show this September: Wronglais — a bilingual night where comedians are encouraged to lean into their mistakes, trip over their tenses, and turn second-language stumbles into punchlines. It’s not about getting it right — it’s about making it funny.
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AuthorTina Cruz (@tinatellsjokes) is the founder of Comedy on Mackay—named one of Montreal’s top 5 comedy nights by CultMTL—and a seasoned performer making her FringeMTL debut this summer. Archives
October 2025
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