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Why Venue Relationships Matter in Comedy

6/17/2026

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Pictured from left to right: Saba Jakeman (co-producer), Shane (Bartender), and Alan Fregtman (co-producer) filming at NsurMackay
A lot of people forget that venue relationships matter. They are just as important as the relationships you build with the audience and the comedians you serve.

Comedy shows have had a bad reputation in the past because some performers treat venues like disposable stages instead of shared spaces. They come in, scare away regular customers with edgy material nobody asked for, leave the staff to deal with the tension, and then wonder why the venue does not want comedy anymore.

A venue is not just a backdrop for your show.

It is a business.

It has staff, regulars, customers, expenses, and a reputation to protect. If you are producing a comedy night, you are not only responsible for the comedians. You are also responsible for making sure the venue feels respected and supported.

That means starting on time, ending on time, communicating clearly, bringing in audiences, encouraging people to buy food and drinks, and making sure the show does not create problems for the staff.

The goal is not just to make comics happy.

The goal is to make the room sustainable.

If the venue trusts you, they will give the show room to grow. If they do not trust you, they will eventually stop taking the risk.

Comedy needs stages, and stages require relationships.

Do not treat the venue like it is lucky to have you.

​Treat it like a partner.

A good venue relationship also protects the comedians. When the staff trusts the producer, the room feels more stable. Comics know where to go, when they’re on, how the night works, and what kind of space they’re performing in. That stability makes the show better for everyone. The audience relaxes, the staff feels respected, and the comedians can focus on doing their job.
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    Author

    Tina Cruz (@tinatellsjokes) is a comedian, musician, writer, and producer whose sharp, introspective humour explores cultural identity, family dysfunction, dating, and personal chaos. She performs in English, French, and Spanish, and is the founder and co-producer of Comedy on Mackay, voted #1 Best Comedy Night by CultMTL readers. Tina has performed across Canada and the U.S., produced a successful run at FringeMTL 2025, performed at LadyFestMTL 2025, and trained at The Second City and Montreal Improv. She is also the author of How to Host a Comedy Show: A Practical Guide to Running the Room.

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